Generic font families

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generic font families



Generic font families are a fallback mechanism, a means of
preserving some of the style sheet author's intent in the worst case
when none of the specified fonts can be selected. For optimum
typographic control, particular named fonts should be used in
style sheets.


All five generic font families are defined to exist in all
CSS implementations (they need not necessarily map to five distinct
actual fonts). User agents should provide reasonable
default choices for the generic font families, which express the
characteristics of each family as well as possible within the limits
allowed by the underlying technology.

User agents are encouraged to allow users to select alternative
choices for the generic fonts.

serif



Glyphs of serif fonts, as the term is used in CSS, have finishing
strokes, flared or tapering ends, or have actual serifed endings
(including slab serifs). Serif fonts are typically
proportionately-spaced. They often display a greater variation between
thick and thin strokes than fonts from the 'sans-serif' generic font
family. CSS uses the term 'serif' to apply to a font for any script,
although other names may be more familiar for particular scripts, such
as Mincho (Japanese), Sung or Song (Chinese), Totum or Kodig (Korean).
Any font that is so described may be used to represent the
generic 'serif' family.

Examples of fonts that fit this description include:




Latin fonts
Times New Roman, Bodoni,
Garamond, Minion Web, ITC Stone Serif, MS Georgia, Bitstream Cyberbit
Greek fonts
Bitstream Cyberbit
Cyrillic fonts
Adobe Minion Cyrillic, Excelcior Cyrillic Upright,
Monotype Albion 70, Bitstream Cyberbit, ER Bukinst
Hebrew fonts
New Peninim, Raanana, Bitstream Cyberbit
Japanese fonts
Ryumin Light-KL, Kyokasho ICA, Futo Min A101
Arabic fonts
Bitstream Cyberbit
Cherokee fonts
Lo Cicero Cherokee



sans-serif



Glyphs in sans-serif fonts, as the term is used in CSS, have stroke
endings that are plain -- without any flaring, cross stroke, or other
ornamentation. Sans-serif fonts are typically
proportionately-spaced. They often have little variation between thick
and thin strokes, compared to fonts from the 'serif' family. CSS uses
the term 'sans-serif' to apply to a font for any script, although
other names may be more familiar for particular scripts, such as
Gothic (Japanese), Kai (Chinese), or Pathang (Korean). Any font that
is so described may be used to represent the generic 'sans-serif'
family.

Examples of fonts that fit this description include:




Latin fonts
MS Trebuchet, ITC Avant Garde Gothic, MS Arial, MS Verdana, Univers,
Futura, ITC Stone Sans, Gill Sans, Akzidenz Grotesk, Helvetica
Greek fonts
Attika, Typiko New Era, MS Tahoma, Monotype Gill Sans 571, Helvetica Greek
Cyrillic fonts
Helvetica Cyrillic, ER Univers, Lucida Sans Unicode, Bastion
Hebrew fonts
Arial Hebrew, MS Tahoma
Japanese fonts
Shin Go, Heisei Kaku Gothic W5
Arabic fonts
MS Tahoma



cursive



Glyphs in cursive fonts, as the term is used in CSS, generally have
either joining strokes or other cursive characteristics beyond those
of italic typefaces. The glyphs are partially or completely
connected, and the result looks more like handwritten pen or brush
writing than printed letterwork. Fonts for some scripts, such as
Arabic, are almost always cursive. CSS uses the term 'cursive' to
apply to a font for any script, although other names such as Chancery,
Brush, Swing and Script are also used in font names.

Examples of fonts that fit this description include:




Latin fonts
Caflisch Script, Adobe Poetica, Sanvito, Ex Ponto, Snell Roundhand,
Zapf-Chancery
Cyrillic fonts
ER Architekt
Hebrew fonts
Corsiva
Arabic fonts
DecoType Naskh, Monotype Urdu 507



fantasy




Fantasy fonts, as used in CSS, are primarily decorative while
still containing representations of characters (as opposed to Pi or
Picture fonts, which do not represent characters). Examples include:




Latin fonts
Alpha Geometrique, Critter, Cottonwood, FB Reactor, Studz




monospace




The sole criterion of a monospace font is that all glyphs have the same fixed width. (This can make some scripts,
such as Arabic, look most peculiar.) The effect is similar to a manual
typewriter, and is often used to set samples of computer code.

Examples of fonts which fit this description include:


Latin fonts
Courier, MS Courier New, Prestige, Everson Mono
Greek Fonts
MS Courier New, Everson Mono
Cyrillic fonts
ER Kurier, Everson Mono
Japanese fonts
Osaka Monospaced
Cherokee fonts
Everson Mono






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